The second part of the sentence also implies how others feel or think about the character, giving some hints about the background story and even creating some air of mystery with the uncertainty of their power. Don't waste your time by modeling a character that can't move properly in the end. It's crucial to bear in mind how the character would move while creating or modelling. This even tells something about their future movement, maybe they move like a child, who has to learn walking and is struggling to keep the balance. They haven't moved since their creation, so they probably won't in the future, it's just a tale, right? This may result in a neutral, machine-like expression on their face, following orders, without emotion and questioning, for ages.ģ. Both of them were given orders at the time of creation, but are not to be controlled any further. Maybe they are sitting opposite to each other, awaiting their call.Ģ. As for the posture, something very calm and resting could fit. They could even feature building parts of the city itself as being a part of it. Maybe they have features of a knight being loyal beyond death. They must be strong, but also protective, so that bright, positive colors in combination with white come to mind. Now we could imagine two robots, maybe like brothers in arms, big enough to guard a whole city. Let's imagine there is not just one, but two robots guarding a city for over a thousand years. Because at the end of the day, it all comes down to being able to give reasons for your decisions.ġ. We'll address decisions made out of artistic reasons in this book, so you can decide if you follow them, or alter the examples to your own imagination.
Like every skill, creating art requires practice. I personally believe that if you can draw it, you can also sculpt it in ZBrush, because both mediums have so much in common. If you already have some experience in drawing or painting or even sculpting, it will be even easier for you to use ZBrush. As this becomes easier and easier, the real distinction between digital artists will lie in their artistic capability, not their technical knowledge. ZBrush is a very good example of how creating digital art becomes less technical, so more and more people are able to give it a try. This doesn't mean that you have to be the world's best painter to start in game art, but just think of your work as art, and also apply the rules of art to it.Īlthough job positions in game production include the term "artist", for example "concept artist" or "character artist", it is still a field that combines technical and artistic knowledge, and sometimes one outweighs the other. This is something that you should have in mind when working on 3D game models or even concept art, because things such as color and composition will always be part of your work, even if not addressed explicitly. It's a form of art and it should also be treated this way.
The most important thing about working in digital art seems to be very obvious but is often overlooked. So in short, a simplified pipeline of creating a model using ZBrush, Maya, and Photoshop would look like this: With this step done, you're all set to export your model into any game engine you like, to make your own game or just view your model.
ZBRUSH 4 FULL SOFTWARE
Depending on whether you would like to create a stiff statue or a walking Caesar, you may want to animate your creation, which is again done in a 3D software like Maya. This process of applying color to a model is called texturing. So you paint it, usually in a 2D application like Photoshop or GIMP. After that, you may have something like a very detailed and lifelike sculpture of Caesar, but it has no color variation, it is just stone gray. Once this is done, ZBrush comes into play to detail the model and finish the digital sculpture, which is the fun part, but may also easily consume most of the time during model creation. This 2D concept is then roughly created in 3D, often in a 3D software such as Maya, 3D Max, Blender, Softimage, and others. It all starts with an idea or ideally a concept drawing. By the end of this book, you will know some of the different ways of model creation, to blend into an existing workflow or to even create your own. As always, there are many ways of doing the same thing, and many companies do it differently. To better understand the workflow using ZBrush, let's think of a simplified way a 3D model is created to be used in our game. How ZBrush is used in a game's production
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